Mississippi Freedom 1992
By Robbie McCauley




All photos by Marie Cieri. Performance photos were taken at the Rural Organizing and Cultural Center in Lexington, MS.
On Friday and Saturday, May 29 and 30, 1992, the Smith Robertson Museum and Cultural Center in Jackson was the site of the world premiere of Mississippi Freedom, a multimedia performance-theater production that drew on the personal stories of living Mississippians as a way of exploring the legacy of race relations in the state over the previous three decades.
Created by award-winning New York theater artist Robbie McCauley in collaboration with 11 actors, storytellers and musicians from the Jackson area, Mississippi Freedom placed special emphasis on the “freedom riders" in Jackson and the voting rights struggle of the 1960s as a watershed of change for the entire country. The work was presented by The Arts Company of Cambridge, MA, in association with Potpourri Theater Company of Jackson.
According to Leslie Myers' review in Jackson's The Clarion-Ledger "It's not some Broadway or Hollywood interpretation. The informal, non-fiction script...is illuminating instead of condescending... 'Mississippi Freedom' is dramatically positive, culturally inclusive and philosophically expansive. It speaks to every American."
After it was presented in Jackson, the work toured to six additional locations in the state: Hattiesburg, Lexington, Lorman, Port Gibson, Cleveland and Jackson again (the return engagement was at Millsaps College). It also went to Houston, TX, and to New York City (for the latter, as a reduced-cast, reconfigured piece titled Mississippi Freedom: In Perspective). All touring was arranged and managed by The Arts Company.
For the six months prior to its first showing, McCauley and her multiracial collaborators collected oral histories from people in the state and elsewhere which formed the basis of much of the dialogue in the piece. This was combined with the performers' own stories and interaction among themselves and with McCauley. Various storytelling styles, local music, historical and contemporary slides and media footage contributed to the social resonance of the work.
"Having done performances of my own family history as it related to the social history about us in the South (Georgia, where I spent much of my childhood); the West (where my grandfather was a Buffalo soldier); and Washington, DC, (where my immediate family settled, being part of many Black families who migrated North in the 1930s), I have started work with artists in other communities telling and retelling personal stories connected to social events," said McCauley. "I hope, in Mississippi, that telling stories as performance and developing theater arts out of existing culture is encouraged. Another intention is to use art in a way that celebrates the hard and good changes that Mississippians have struggled to bring about for generations.”
The 11 cast members of Mississippi Freedom were American and Caucasian, ranged in age from early twenties to mid-sixties and at the time lived in the Jackson area, though the original homes of many of them were located throughout the state. Most were involved in or had personal memories of the voting rights struggle in the 1960s. They were: Ona Banks, Veronica Cooper, James Green, Willie Horton, Deborah Imboden, Dick Johnson, Kent Lambert, Sadat Muhammad, Sameerah Muhammad, Sheila Richardson and Kay King Valentine. Along with McCauley, they participated in discussions about Mississippi Freedom with interested audience members after each performance. Biographies of McCauley and the cast members can be found here.

Mississippi Freedom discussed on WJSU Jackson's "Community Express" program 5-30-92. Speakers included Robbie McCauley, Marie Cieri, Sheila Richardson and Deborah Imboden. There also was a short performance improvisation by McCauley, Richardson and Imboden.
WPRM Public Radio of Mississippi, 9-24-92 segment on Mississippi Freedom statewide tour. Speakers including Robbie McCauley, Ona Banks and Deborah Imboden.
Excerpts from Mississippi Freedom at the Smith Robertson Museum and Cultural Center, Jackson, MS, May 1992. (The video quality is not good, but the voices are loud and clear.)
Performances
Produced and presented by The Arts Company
World Premiere
Smith Robertson Museum
528 Bloom St.
Jackson, MS
May 29 and 30, 1992
Mississippi Statewide Tour
Hattiesburg, MS
Auditorium, Polymer Science Building
University of Southern Mississippi
September 22 and 23, 1992
Lexington, MS
Rural 0rganizing and Cultural Center
103 Swinney Lane
September 26, 1992
Lorman, MS
Little Theater, Fine Arts Building
Alcorn State University
September 29, 1992
Port Gibson, MS
Mississippi Cultural Crossroads
507 Market St.
September 30, 1992
Cleveland, MS
Jobe Theater
Delta State University
October 6, 1992
Jackson, MS
Academic Complex Recital Hall
Millsaps College
0ctober 8 and 9
Outside Mississippi
Houston, TX
DiverseWorks
117 East Freeway, I-10 at North Main
March 21, 22 and 23, 1996, 8 pm
Mississippi Freedom: In Perspective*
New York, NY
Whitney Museum of American Art at Phillip Morris
120 Park Ave.
May 12, 1993, 7:30 pm
(Selected as part of the 1993 Whitney Biennial)
*This performance had a different title because it was a reduced cast version of Mississippi Freedom (7 actors instead of 11, including Robbie McCauley). As such, McCauley needed to reconfigure the piece in places, so that some parts were played by more than one actor, and actors at times referred back to the Mississippi version.
Primary Sources
Mississippi Freedom was the first of three performance-theater projects based on race relations in the 1960s and 1970s in the US to be created by Robbie McCauley and produced by The Arts Company.
Robbie called the series "Primary Sources," and each piece took place in different parts in of the country: Mississippi (Mississippi Freedom); Boston (TURF: A Conversational Concert in Black and White) and Los Angeles (The Other Weapon).
To learn more about these three projects and the effects they had in the places where they were created and presented, read "Robbie McCauley's Primary Sources: creating routes to an alternative public sphere," written a number of years later by producer Marie Cieri when she was a PhD student in social geography at Rutgers University and later adapted for publication.
Funding
The Rockefeller Foundation
National Endowment for the Arts
Ruth Mott Fund
Residency work in Jackson by Robbie McCauley and The Arts Company was facilitated by generous donations of living and rehearsal space from Tougaloo College and rehearsal space from Galloway Memorial United Methodist Church and Millsaps College.
Initiation of Mississippi Freedom was assisted by the American Festival Project.