BLACK DIRT 1990
By Robert Whitman




BLACK DIRT, Cambridge, MA. Photos: Ken Winokur.
National Public Radio's "Morning Edition" interview with Robert Whitman, 4-12-90
On April 5-7 and April 12-14, 1990, The Arts Company and The MIT List Visual Arts Center presented the world premiere of Black Dirt, a new large-scale performance work by internationally recognized New York artist Robert Whitman. Performances took place in MIT's Experimental Media Facility (the Cube), Wiesner Building, 20 Ames Street, Cambridge, MA.
Along with Claes Oldenburg, Jim Dine and Allan Kaprow, Whitman was one of the key figures associated with Happenings, the phenomenon that revolutionized public notions of art and performance in the early 1960s. Subsequently, he was a pioneer in the development of a type of theater work rooted in psychologically charged images and poetic restructuring of time and space in lieu of more traditional elements of narrative and character.
Despite its importance to several generations of artists working in experimental, multimedia performance, Whitman's work rarely has been presented outside New York and Europe, and this was the first time it was seen in the Boston area. Black Dirt, in fact, was the product of a local three-month residency by Whitman and was developed in collaboration with a number of local artists, performers and Massachusetts College of Art students. After its premiere in Cambridge, it toured to New York, Philadelphia and Minneapolis.
The piece utilized and transformed the vast, dramatic setting of MIT's Cube. Juxtapositions of film projections, eccentric props, lighting and sound effects, performed actions and text and spatial shifts within and outside a large mutable structure formed the basis of what occurred in Black Dirt.
Whitman's work characteristically challenges the rational mind; it is both disturbing and beautiful in a fantastic, unearthly way. Describing a previous work in The Village Voice, Sally Banes wrote: "As in a dream, all sorts of things from daily life combine in impossible ways ....Yet Whitman's work is even more marvelous than dreams, since his images live outside of consciousness; they are real events, concrete arrangements of things, taking place in time -- gliding by our wide-open eyes."

Commissioners
Lead commissioner
The Arts Company
Co-commissioners
MIT List Visual Arts Center
The Kitchen
The Fabric Workshop/Painted Bride Arts Center
Walker Arts Center
Tour
Produced and organized by The Arts Company
Cambridge, MA (World premiere)
MIT's Experimental Media Facility (the Cube)
Wiesner Building, 20 Ames Street
April 5-7 and April 12-14, 1990
Presented by The Arts Company and MIT List Visual Arts Center
New York, NY
The Kitchen
512 W. 19th St.
May 10-13 and May 16-19, 1990
Philadelphia, PA
Painted Bride Arts Center
5212 Market St.
June 22-24 and June 29 - July 1, 1990
Co-presented by The Fabric Workshop
Minneapolis, MN
Southern Theater
1420 S. Washington Ave.
October 24-27, 1990
Presented by Walker Art Center
Funding
The Pew Charitable Trusts
Lannan Foundation
National Endowment for the Arts
Massachusetts Council on the Arts and Humanities
The Andy Warhol Foundation for the Visual Arts
New York State Council for the Arts
Lila Acheson Wallace Theatre Fund at Community Funds, Inc.
Initial project assistance was given by the Dia Art Foundation.
Robert Whitman's Boston residency was supported in part by the
Visiting Artists Program of Massachusetts College of Art.
Additionally, for presentation at The Kitchen:
National Endowment for the Arts
The New York State Council for the Arts