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BLACK DIRT 1990

By Robert Whitman

BLACK DIRT, Cambridge, MA. Photos: Ken Winokur.

National Public Radio's "Morning Edition" interview with Robert Whitman, 4-12-90

On April 5-7 and April 12-14, 1990, The Arts Company and The MIT List Visual Arts Center presented the world premiere of Black Dirt, a new large-scale performance work by internationally recognized New York artist Robert Whitman. Performances took place in MIT's Experimental Media Facility (the Cube), Wiesner Building, 20 Ames Street, Cambridge, MA. 

 

Along with Claes Oldenburg, Jim Dine and Allan Kaprow, Whitman was one of the key figures associated with Happenings, the phenomenon that revolutionized public notions of art and performance in the early 1960s. Subsequently, he was a pioneer in the development of a type of theater work rooted in psychologically charged images and poetic restructuring of time and space in lieu of more traditional elements of narrative and character.

 

Despite its importance to several generations of artists working in experimental, multi­media performance, Whitman's work rarely has been presented outside New York and Europe, and this was the first time it was seen in the Boston area. Black Dirt, in fact, was the product of a local three-month residency by Whitman and was developed in collaboration with a number of local artists, performers and Massachusetts College of Art students. After its premiere in Cambridge, it toured to New York, Philadelphia and Minneapolis.

 

The piece utilized and transformed the vast, dramatic setting of MIT's Cube. Juxtapositions of film projections, eccentric props, lighting and sound effects, performed actions and text and spatial shifts within and outside a large mutable structure formed the basis of what occurred in Black Dirt.

 

Whitman's work characteristically challenges the rational mind; it is both disturbing and beautiful in a fantastic, unearthly way. Describing a previous work in The Village Voice, Sally Banes wrote: "As in a dream, all sorts of things from daily life combine in impossible ways ....Yet Whitman's work is even more marvelous than dreams, since his images live outside of consciousness; they are real events, concrete arrangements of things, taking place in time -- gliding by our wide-open eyes." 

 

Robert Whitman on NPR's "Morning Edition" 4-12-90
00:00 / 05:58

Commissioners

Lead commissioner

The Arts Company

Co-commissioners

MIT List Visual Arts Center

The Kitchen

The Fabric Workshop/Painted Bride Arts Center

Walker Arts Center

Tour

Produced and organized by The Arts Company

Cambridge, MA (World premiere)

MIT's Experimental Media Facility (the Cube) 

Wiesner Building, 20 Ames Street 

April 5-7 and April 12-14, 1990

Presented by The Arts Company and MIT List Visual Arts Center

New York, NY

The Kitchen

512 W. 19th St.

May 10-13 and May 16-19, 1990

Philadelphia, PA

Painted Bride Arts Center

5212 Market St.

June 22-24 and June 29 - July 1, 1990

Co-presented by The Fabric Workshop

Minneapolis, MN

Southern Theater

1420 S. Washington Ave.

October 24-27, 1990

Presented by Walker Art Center

Funding

The Pew Charitable Trusts

Lannan Foundation

National Endowment for the Arts

Massachusetts Council on the Arts and Humanities

The Andy Warhol Foundation for the Visual Arts

New York State Council for the Arts

Lila Acheson Wallace Theatre Fund at Community Funds, Inc.

 

Initial project assistance was given by the Dia Art Foundation.

 

Robert Whitman's Boston residency was supported in part by the

Visiting Artists Program of Massachusetts College of Art.

Additionally, for presentation at The Kitchen:

National Endowment for the Arts

The New York State Council for the Arts

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